Wednesday, 17 February 2016

The cover saga lives on!

Set to the music of the Martin Guerre 1999 cast album (natch) and Barbra Streisand (my new obsession ... but let's be real, I've always been obsessed - call it an obsession renewal), last Saturday, I finished the covers for CHANGES: A SHORT STORY COLLECTION and SIXTEEN MONTHS ... I think (we've been here before, I can't say anything's set in stone with my track record in the cover department).

First, here is what both covers looked like before:

If I was being kind I would
call it pleasant.
May I present the dullest title
font ever seen on a book cover...

They were better than they were, oh GOD yes (exhibit A & B here and here), but they aren't right and definitely wouldn't sell based on these covers. Looking at the covers from the perspective of a customer, I wouldn't buy them so why would I expect anyone else to? I thought I would break down a little further the ideas and 'changes' both covers have been through in the last couple of weeks:


CHANGES: A SHORT STORY COLLECTION

I had approximately 50,000 ideas for this cover and approximately 50,000 of these ideas were absolutely useless. I started going down a direction I got excited about here:

 

...but by the time it started to look like this:


...I knew it was time to move on.

I then played around with the font that I had used on the WEIGHTING TO LIVE cover a bit more. At first, I really wanted to keep all four images I had used on the original cover but as time (and desperation) went on, I thought it might be better to just have one powerful image that might hook a reader opposed to four possibly confusing and messy ones. To me, the feather was the most interesting out of the four so I started there and after a little while I had this cover:


I really liked it but felt the feather disappeared into the light-coloured background somewhat. Next, and I have no idea how it happened, an accidental click on the cover coloured the whole page black and turned into a breakthrough. Against the feather, I felt the black was really striking. Because I wanted to continue the same colour theme as WEIGHTING TO LIVE, I made the font the light grey/lilac and ended up with this:


To me, it was simple but exciting and felt it would (hopefully) make a reader curious about what was going on inside the damn thing. I added the writing in orange to the bottom to continue the colour theme and hey presto! Here is my final (again, we think) cover for CHANGES:



SIXTEEN MONTHS

Unlike CHANGES, I had absolutely no idea what I wanted to do with this cover. First I thought about 'tarting up' the calendar theme that I was already using but after getting bored of the sight of it, I realised that if I am bored working on the idea, someone isn't exactly going to say 'Oh darling, I am so bored by this cover, let's buy it IMMEDIATELY!'. With that, it was scrapped quicker than you can say RIVETED. Here are a couple of my attempts at flogging a dead horse:



After that debacle, I thought about using a single image for the cover like CHANGES but when that didn't work, I knew it was (again) time to move onto the next (non-existent) idea.

One thing that did come out of those lack-luster attempts was the fact that I absolutely loved the orange colour next to the black of CHANGES and the lilac/grey of WEIGHTING TO LIVE. An idea out of nowhere then came to me about using different fonts in black against an orange background and after 10 minutes of tinkering, I had this:


I emailed it to my mum and her reply was this: 'Love, love, love it and love the chosen passages. Well done. Sold!

I then spent a couple of days working on different versions using really polished, professional-looking fonts, faffing about with the positioning of the title and other bits and bobs ... but nothing looked as effective as that first mock-up cover I made in 10 minutes. In the end, and after a lot more faffing, all I did was shift up two quotes and move the title slightly over to the right on the blasted mock-up cover I made in 10 minutes. There were also a couple of gaps between the different quotes so I decided to add in some more words that I will leave for you to find yourself:


The new covers will be going up in the next week or so and this time they have me really excited. Here are the three covers together:


In semi-related news, my light-bulb has been tested severely but is still on. I think I have just got to the point of no return which is exciting, daunting, wonderful and scary all at the same time. I want to do this and I can't go back because there is nothing to go back to. I have been at home with my mum for a few days as I have the week off from work and it's been utter bliss and really given my mind total clarity about what I want - if someone was to ask me right at this moment What do you want to do? I would say without a moment's hesitation, I want to work for myself. I am working damn hard to make that happen and achieve it doing the things I love....

Right, you get no pictures in a post for a while then ALL THE PICTURES so I think that's enough for one day...

Until next time.

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